By Ken Zurski
Perry Como may be the most popular Christmas performer of all time. Thanks to his long-standing annual holiday television specials and beloved Christmas album released in 1968, Como’s face and voice became synonymous with the sounds of the season.
Today, however, in a more crowded market for Christmas music and numerous more versions of favorite holiday classics (and new ones too) from more contemporary artists in all genres, Como’s versions might get lost in the mix.
But it’s still in there.
That said, as a performer, he may have been misunderstood as well.
Como was considered one of the “good guys” whose relaxed and laid-back demeanor came across as “lazy” to some, a misguided assessment, since Como was known to be a consummate professional who practiced and rehearsed incessantly.
“No performer in our memory rehearses his music with more careful dedication than Como.” a music critic once enthused.
Como also made sure each concert met his own personal and strict moral standards.
In November 1970, Como hosted a concert in Las Vegas, a comeback of sorts for the Christmas crooner, who hadn’t played a Vegas night club for over three decades. For his grand return, Como was paid a whopping $125-thousand a week, admittedly a large sum for a Vegas act at the time. Even Perry was surprised. “It’s more money than my father ever made in a lifetime,” he remarked.
But since it was Vegas and befitting the desert town’s reputation of gambling and prostituition, Como’s reputation as a straight-laced performer was questioned.
Como quelled any concerns, however, when he chose a safe, clean and relatively unknown English comic named Billy Baxter to warm up the audience before the show. Advisers suggested he pick an act more familiar to Vegas audiences, but Como said no.
A typical “Vegas comedian,” as he put it, was simply too dirty.
Keeping up the family friendly atmosphere accentuated in his TV specials, Como would lovingly introduced his wife Roselle during the “live” shows. Roselle, who was usually backstage and acknowledged the appreciative crowds, was just as adamant as her husband that his clean-cut image went untarnished. After one performance, Roselle received a fan’s note that pleased her immensely. “Not one smutty part, not even a hint,” the note read describing Como’s act in Vegas. “You should be very proud.”
Como’s cool temperament and sleepy manner was such a recognizable and enduring characteristic that many had to ask if it was real or just an act. Does he ever get upset? was one curious inquiry. “Perry has a temper,” his orchestra leader Mitchell Ayers answered. “He loses his temper at normal things. When were’ driving, for instance, and somebody cuts him off he really lets the offender have it.” However, Ayers added, “Como is the most charming gentleman I’ve ever met.”
Como’s popular Christmas television specials ran for 46 consecutive years ending in 1994, seven years before his death from symptoms of Alzheimer’s in 2001. He was 88.
(Source: Spartanburg Herald-Journal Nov 21 1970)
By Ken Zurski
In the fall of 1927, Ruth Elder, a dental assistant from Lakeland, Florida, attempted to become the first woman to complete a transatlantic flight from New York to Paris. “When [Charles] Lindbergh reached Paris (in May),” the 23-year-old Elder said announcing her intentions, “I made up my mind that I would be the first woman to make the trip.”
But unlike Lindy, who was an experienced pilot, Elder admitted having little acquaintance with airplanes. She was however an aspiring model and actress and if the flight helped her career, she exclaimed, so be it.
As expected, Elder’s daring-do was met with skepticism, even ridicule. “Men in the summer should strive to equal Lindbergh. Women should stay at home,” The Irish News snidely advised. Even Lindbergh, himself, without naming names, warned against dangerous missions without purpose.
Despite this, Elder had no reservations. “I was determined to go as a co-pilot, not a passenger,” she vowed. In Florida, she took lessons from an instructor named George Haldeman. Then on Tuesday, October 11, 1927, Elder and Haldeman took off from New York’s Roosevelt Field in a specially built Stinson ‘Detroiter’ monoplane named American Girl.
Unlike Lindbergh, who became internationally famous after his successful flight, Elder’s popularity began the moment she announced her plan. Pretty with an infectious smile and a personality to match , Elder’s story and picture plastered the papers. Brightly colored scarfs she wore in her hair were mimicked by young girls who called them “Ruth Ribbons.”
To a hungry press she was also a willing participant. The instant hero Lindbergh was a challenge: shy, a bit aloof, and often irritated by all the attention. Elder relished it. She just hadn’t accomplished anything yet. On that October day at Roosevelt Field, the press was there to watch her give it a go.
“Well here goes nothing, that may turn up something,” Elder thought to herself as the “American Girl’s” wheels lifted from the ground.
Thirty six hours later, with over 2,000 miles logged and just a few hours short of Paris, the flight was over.
Caught in a sleet storm and taking on ice, the two pilots ditched the reserve fuel to lighten the load. But when an oil pipe busted, there was no other choice. The ocean would be their landing strip.
Around the same time, in Paris, at the Le Bouget airport, a smattering of press and a few well-wishers gathered for the welcoming party. Elder’s plane was late and her fate, sent by dispatches around the world, was unknown. “Last seen 500 out at sea,” the stories read.
The American Girl was missing.
In the Atlantic, however, Captain Goos of the Dutch tanker Barendrecht noticed a plane in distress: “She came rapidly up to us and flying over the ship threw down two messages.” One ended up on the deck. “How far are we from land and which way?” was the inscription. It was signed: Ruth Elder.
Several minutes later, the plane landed in the water next to the ship.
By Ken Zurski
Carl G. Fisher was a bicycle enthusiast. He built them, he raced them, he even delicately guided one across a tightrope just to prove there versatility. He was nicknamed “Cripple,” or “Crip” for short, because his friends thought he was destined to suffer a permanent injury. As one worrisome acquaintance described: “He frequently, in bursts of speed, took spills and ended up with many bruises and cuts.”
Undeterred, after dusting off, Fisher would try it again.
That was his style.
Born in Greensburg, Indiana in 1874, as a young boy Fisher moved to Indianapolis with his mother after his parents separated. Due to a severe case of astigmatism, he dropped out of school early and worked odd jobs, like a grocery store clerk, to support his family. At age 17, along with his two brothers, Fisher opened a bicycle shop.
With the advent of the automobile, Fisher saw another business opportunity. “I don’t see why an automobile can’t be made to do anything a bicycle can do,” he told a friend. In 1904, Fisher converted his bicycle business into an automobile repair shop. To promote his new venture, he asked a crowd to gather at a downtown Indianapolis building. He then pushed a vehicle off the roof. The vehicle landed on its tires, still upright. The crowd roared its approval. It was showy and effective, similar in style to a more famously known promotional trickster named P.T. Barnum. Fisher later admitted he deflated the tires so the car wouldn’t bounce.
Despite his knack for self-promotion, Fisher had more serious concerns about the newfangled motor vehicle. First was being able to drive it safely in the dark. He invented a headlight that used compressed gas to light the way. It was a revolutionary idea. Soon, the Fisher-patented lights were being manufactured in plants throughout the Midwest. The process however was not safe for workers. The chemical tanks kept blowing up. “Omaha left at four-thirty,” one wire read announcing the unfortunate closing of another plant. The tanks were eventually lined with asbestos and the blasts stopped. The headlights became the standard and Fisher in turn became a very wealthy man.
With money and power in his hands, Fisher took to the automobile like he did the bicycle – with deering-do. He raced a modified Mohawk on small tracks at fairgrounds in Indiana mostly built with wooden boards. But Fisher wanted more. He wanted more speed. more thrills and more excitement. Inspired by European tracks that had long straightaways and sweeping curves, Fisher suggested a proving ground track in Indianapolis would be beneficial to the automobile industry as a whole, testing the limits of engines and body styles. Plus, the racing would be a hoot too.
He and other local financiers put up $250,000 in capital to build the track, a two-and a half mile oval, that became known as the Indianapolis Motor Speedway. On Aug 9 1909, the first car races took place. It was a disaster. Six drivers were killed along with two spectators. The race was scheduled for 300 miles, but Fisher mercifully stopped it at 235 miles. The drivers and their machines, Fisher explained, were not the issue. The problem was the track, made of crushed stone, was too rough. The frequent tire blow outs led to disastrous and deadly results. Fisher had to make a change.
He recommended they pave the tracks with bricks instead. But it was costly. So he convinced his investors to help pay for it. Over 3-million bricks were laid. On Memorial Day 1911, the first 500-mile race was run. Driver Ray Harroun in a vehicle named “Wasp” won the inaugural contest with an average speed of just over 74 mph. “There were but four tire changes,” the winning vehicle’s manufacturer boasted the next day. “Three of the original tires finished the race.” The bricks, they subtlety implied, made the difference.
The track later picked up the moniker, “Brickyard.”
Fisher didn’t stop with improvements to racetracks however. He felt everyday drivers were being shortchanged by the lack of public roadways. At the time, most roads were just dirt paths and few went long distances. In 1912, at a dinner party for automobile manufacturers, Fisher unveiled an ambitious plan to build a highway that would span the country, from New York to California. He urged the auto executives to come aboard. Within 30-minutes, he had hundreds of thousands of dollars in support.
Ironically, the one man who refused to contribute was an automobile pioneer from Detroit who thought the automakers should stick to making automobiles, not roads. The government, he explained, should be responsible for that.
His name was Henry Ford.
Thanks to Fisher’s persistence, however, Lincoln Highway (today it’s portions are more formally aligned with the coast-to-coast Interstate 80), became the first transcontinental highway for motor vehicles.
But Fisher’s testament, such as it is, lie in the bricks. Still a fixture at the track’s finish line.
On July 9, 1918, near Nashville, Tennessee, in an area known as Dutchman’s curve, two trains collided head-on creating such a frightful noise that many claimed it could be “heard for miles.”
It was 7:00 on a warm summer morning and both trains on the Nashville, Chattanooga & St Louis line were running late.
The westbound or outbound passenger train to Memphis had just pulled out of Nashville’s Union Station packed with passengers. The eastbound train was heading inbound to the Nashville station from Memphis. Both veteran engineers had orders. The inbound train had the right of way on the curve’s one-way track. The outbound train would have to wait at the double-tracks just outside of the station for the other train to pass. But something went horribly wrong. A green light was given to the outbound train to proceed, meaning someone had seen or heard the incoming train pass. But when the tower operator checked his papers, there was no record of the Nashville-bound train coming through.
In reality, the inbound train was running nearly 35 minutes behind schedule.
The operator frantically telegraphed the dispatcher who immediately sent an urgent message back. “Stop him” was his order. But how? At the time, there was no direct communication with the engineers in either train. Only a warning whistle was used for emergencies. The whistle blared, but the outbound train was too far along for anyone to hear it. By this time, the inbound train was chugging to the curve.
Both trains were moving at top speeds of 60 mph. Then a moment of sheer terror. The engineer of the outbound train caught a glimpse of the other train coming around the bend, directly in his path. He pulled the emergency brake, but there wasn’t enough time. Then that sound that could be heard for miles. “The ground quaked and the waters of nearby Richland Creek trembled,” one writer later described. “The wooden cars crumbled and hurled sideways, hanging over the embankment. One train telescoped the other.”
In all, 101 people were killed, mostly traveling soldiers and African-American laborers from Tennessee and Arkansas. Many were leaving or returning to work at a munitions plant in the Nashville area.
Besides what went wrong, there was more scrutiny.
After only a few days of front page news, the press was accused of being mostly dismissive. Perhaps it was due to the number of war stories that filled the papers at the time. But some believe the wreck itself, while tragic, just wasn’t exploitative enough. Most of the dead were minority migrants and laborers. Many were killed beyond recognition. Basically, it just wasn’t as easily sensationalized as other disasters at the time, like the wrecks involving circus trains…or the fate of a fun-filled chartered steamboat.
Four days before the Nashville train wreck another tragedy hit the papers that shook a nation. On July 5, a wooden steamboat named the Columbia collapsed and sank in middle of the Illinois River near Peoria, Illinois. The 87 dead were mostly women and children enjoying a holiday cruise to a local amusement park. The survivor stories that followed were stark and dramatic. “The only thing that kept me afloat,” one woman passenger reported, “were the bodies beneath me.”
The investigation that followed the train wreck, cited human error, specifically blaming the man who could not defend himself, the engineer of the outbound train, David Kennedy. Only speculation supports the theory that Kennedy mistook a switch engine hauling empty cars for the inbound train. Kennedy was killed instantly in the wreck. A folded “schedule” was reportedly found underneath his body.
The other engineer William Floyd was also killed. He was one day from retirement.
The Nashville wreck to this day is still the deadliest train accident in the history of the U.S.