By Ken Zurski
“The Christmas Legend” is a short story written in the mid-nineteenth century by a Philadelphia missionary named James Rees. It tells the tale of a destitute American family that receives an unexpected visit from a couple of strangers on Christmas Eve. The constructive narrative sets up a deep exploration of family, loss and forgiveness; a classic Christmas formula. But the story itself is not widely known. In fact it would likely be completely forgotten had it not been for one word- “wife.” Today, it is cited as being the first time Santa Claus was associated with a spouse. It literately introduced the character we know now as Mrs. Claus.
Published in 1849, “The Christmas Legend” was part of a collection of 29 short stories written by Rees and compiled under the title, “Mysteries of City Life, or Stray Leaves from the World’s Book.” Each story is cleverly presented to represent the dissimilarity of many leaf types. For example, the maple leaf, Rees writes, is “golden and rich” and presents a sunnier disposition, while another like the gum tree leaf has a “bloody hue” and “stands fit emblem of the tragic muse.” He likens authors after the “forest trees” which “send forth their leaves unto the world.”
“And by what emblem shall we appear amongst those clustering trees,” Rees explains. “Let us see – Ah! The Ash Tree leaves are like ours, humble and plain to see, but hiding the silver underneath.”
In “The Christmas Legend,” Rees uses the spirit of the holiday to emphasis this point.
Here is the abbreviated story…
A family of four, mother and father, daughter and son, are sitting near the fireplace on Christmas Eve. The two children, especially the daughter, wonders if she should hang the stockings for Kris Kringle to come. But her mother raises doubt. There are more important things in life than earthly possessions, she states. “Poverty keeps from the humble door all the bright things of the earth, except virtue, truth and religion, these are more of heaven and earth, and are the poor man’s friend in time of adversity.”
“I thought that Santa Claus or Kris Kringle loved all those who are good, and haven’t I been good?” the daughter asks confused.
The mother tells her to leave the stocking up. “Customs at least should be observed, and perhaps the young heart may not be disappointed.”
The father is more introspective. He anguishes over a lost family member, the eldest child, another daughter who apparently ran away with a “dissipated” man seven years before and hasn’t been seen or heard from since.
Then there is a knock on the door.
Two strangers appear out of the night, an elderly couple carrying a bundle with “all their worldly wealth,” Rees writes. They ask how far away they are from the city and the father tells them it is “two miles.”
“Two miles?” the stranger says sadly, “we will not be able to reach it tonight. My dear wife is nearly tired out. We have traveled far today.”
The father invites them in and offers his best bed for them to rest. The strangers inquire if this is their whole family. “No. No,” the father says, “we had one other – a daughter.”
“Dead; Alas we all must die,” the old woman responds.
“Dead to us, but not to the world,” the man answers. “But let us speak of her no more. Here is some bread and cheese, it is all poverty has to offer, and to it you are heartily welcome.”
There is a silent pause, then the sound of cheerful merriment, music and laughter, is heard through the open windows and door. It’s their rich landlord, the father explains, mocking the poor. The old man interjects. “Ah, sir, human nature is a mystery, this is one of the enigmas, and can only be explained when the secrets of the hearts be known.”
The next morning, Christmas Day, the family awakes to find their small room filled with presents: books and games and toys. “O Father, Kris Kringle has been here,” the little girl says excitedly. “I am so happy.”
Here Rees as the narrator sets up the last part or moral of the story. “There are moments when the doors of memory and the bright sunshine of hope make the future all clear,” he writes. “Sorrow is not eternal; it has its changes, its stops; its antidote; they came in the moment of trial and – Presto! The whole scene of life is venerated in the pleasing colors of fancy.”
And that’s when something totally unexpected occurs. The old couple reappears to the family not as as they came, but as a vibrant young couple. The children recoil from fright, but the parents are curious. “How is this?” the father asks. “Why these disguises?”
“Hush, sir,” the once old man says laughing. “This is Christmas morn and we now appear to you not as Santa Claus and his wife, but as we are, the mere actors of this pleasing farce.”
The couple recognizes the old woman’s new face. It’s their long lost daughter. The girl hugs her mother, but the father is more skeptical, angry and weary of atonement. He lashes out at the girl as she approaches him. “Stand back!”, he shouts, then chastises the man who stands with her as a “paramour.” She begs him to reconsider. “No Father he is my kind and affectionate husband.”
“Ah, husband,” the father replies. He reaches for his daughter. They embrace.
Rees goes on to explain the girl ran away because she was “young and foolish” but loved the man who was forbidden from her home. They left America for England where her new husband became heir to a large estate. She sent letters home, but they were never received. Now she had returned back to her family on Christmas Day. A gift of love and hope. “Can you forgive me?” she asks.
“Say no more, all is forgotten. All is forgiven,” the father tells her.
Even though it is thinly defined, the mention of Santa Claus’s wife in “The Christmas Legend” is widely considered the first ever to appear in print. Two years later in 1851, the name Mrs. Santa Claus would be mentioned again in a story published in the Yale Literary Magazine. History tells the rest.
Today Mrs. Claus is considered a kindly old woman who helps her husband tend to his colds, stitches his clothes, and feeds his “round belly.”
“There are many interesting facts both historic and fabulous connected with the ceremonies, customs and superstitions of this day [Christmas], which if collected together today would make a curious and interesting book.” Rees explains in the introduction to his tale.
Apparently, he added to that.