Ken Zurski Unremembered
Recognize this Actress? You Might be Surprised.
By Ken Zurski
A veteran of stage and screen, Billie Burke began her Broadway and film acting career in 1906 at the age of 22.
She appeared in numerous stage and screen roles (silent films) and in 1914 married another show business impresario , Florenz “Flo” Ziegfeld Jr, of Zeigfeld Follies fame.
In 1921, Burke retired from performing thanks to a boon in the stock market and good investments.
However, in 1929 after the Black October crash, the money was gone.
Burke went back to work appearing with many top Hollywood heavyweights like Lionel Barrymore whom she co-starred in the most acclaimed and defining role of her career: Millicent Jordan, the “hapless, feather-brained lady with the unmistakably high voice,” in 1933’s “Dinner at Eight.”
Although it wasn’t her last appearance in the movies, in 1939, at the age of 54, Burke played a character for which she is most remembered today…
Glinda the Good Witch of the North in “The Wizard of Oz.”
UNREMEMBERED INNOVATOR: Eadweard Muybridge, the Zoopraxiscope, and the Suspended Horse
By Ken Zurski
In 1860, while traveling by stagecoach across the Texas plains, capitalist Eadweard Muybridge fell and suffered a serious head injury. Some say he never fully recovered. His doctor however suggested more fresh air. So Muybridge took up photography and began shooting landscapes.
Then in 1872, railroad magnate Leland Stanford hired Muybridge to shoot a horse. Not literally, of course, but with a camera. Stanford wanted to know if a horse lifts all four feet off the ground simultaneously during a gait. Muybridge managed to show a horse seemingly suspended in midair. But the shot, published as a line drawing at first, drew jeers from a skeptical public.
Muybridge found a way to convince them. He invented a machine called the Zoopraxiscope, where a silhouette image of a picture is painted on a revolving glass plate. When the light is shown through the cylinder the drawings seem to move.
“A magic lantern gone mad,” raved the Illustrated London News.
Vindicated, Muybridge sought to improve his design. He went to see a man he thought might be able to put actual photographs on the cylinder.
After all, he had done the same thing with sound.
That man was Thomas Edison.
The Hand-Picked Ornament that Became the Stanley Cup
By Ken Zurski
In 1891, Charles Colville, secretary for the Lord Frederick Stanley, the British appointed General Governor of Canada, was ordered to sail back to England and return with a hand-picked ornament.
Stanley had something particular in mind and Colville knew just where to look.
On Regent Street near Piccadilly Circus, he stepped into the shop of George Richmond and Collis Co. and spotted a “silver bowl lined with a gold gilt interior.”
Colville bought the bowl for 10 guineas, the equivalent of about 10-thousand U.S. dollars today.
Stanley was ambivalent at first. “It looks like any other trophy,” he remarked.
Generally, though, he was pleased.
In 1893, the first Stanley Cup, as it was called, was awarded to Montreal, the champions of the Ontario Hockey Association. Stanley, a big hockey supporter, offered the trophy as a gift.
The first Cup presentation however came with a dubious start.
Lord Stanley’s team was Ottawa. So animosity between the two teams was apparent. When Montreal was awarded the inaugural cup bearing Stanley’s name, only a few players were on hand.
Even more telling, no Montreal team officials bothered to show up.
‘Good Guy’ Perry Como was one of the TV Kings of Christmas
By Ken Zurski
Perry Como may be the most popular Christmas performer of all time. Thanks to his long-standing annual holiday television special and beloved Christmas album released in 1968, Como’s face and voice became synonymous with the sounds of the season.
That said he may have been the most misunderstood as well.
Como was a one of the “good guys” whose relaxed and laid-back demeanor came across as “lazy” to some, a misguided assessment, since Como was known to be a consummate professional who practiced his craft incessantly.
“No performer in our memory rehearses his music with more careful dedication than Como.” a music critic once enthused.
Como also made sure each concert met his own personal and strict moral standards.
In November 1970, Como hosted a concert in Las Vegas, a comeback of sorts for the Christmas crooner, who hadn’t played a Vegas night club for over three decades. For his grand return, Como was paid a whopping $125-thousand a week. Even Perry was surprised by the remuneration. “It’s more money than my father ever made in a lifetime,” he remarked.
But since it was Vegas and befitting the town’s perceived association with mobsters and legalized prostitution, Como’s reputation as a straight-laced performer was questioned.
Como quelled any concerns, however, when he chose a safe, clean and relatively unknown English comic named Billy Baxter to warm up the audience before the show. Advisers suggested he pick an act more familiar to Vegas audiences, but Como said no.
A typical “Vegas comedian,” as he put it, was simply too dirty.
Keeping up the family friendly atmosphere accentuated in his TV specials, Como would lovingly introduce his wife Roselle during the “live” shows. Roselle, who was usually standing backstage and acknowledged the appreciative crowds, was just as adamant as her husband that his clean-cut image went untarnished. After one performance, Roselle received a fan’s note that pleased her immensely. “Not one smutty part, not even a hint,” the note read describing Como’s act in Vegas. “You should be very proud.”
Como’s cool temperament was such a recognizable and enduring characteristic that many wondered how much of it was real. Does he ever get upset? was one curious inquiry. “Perry has a temper,” his orchestra leader Mitchell Ayers answered. “He loses his temper at normal things. When were’ driving, for instance, and somebody cuts him off he really lets the offender have it.” However, Ayers added, “Como is the most charming gentleman I’ve ever met.”
Como’s popular Christmas television specials ran for 46 consecutive years ending in 1994, seven years before his death in 2001 at the age of 88.
(Source: Spartanburg Herald-Journal Nov 21 1970)
As Christmas Crooners Go, Perry Como Was As ‘Pure As The Driven Snow’
By Ken Zurski
Perry Como may be the most popular Christmas performer of all time. Thanks to his long-standing annual holiday television specials and beloved Christmas album released in 1968, Como’s face and voice became synonymous with the sounds of the season.
Today, however, in a more crowded market for Christmas music and numerous more versions of favorite holiday classics (and new ones too) from more contemporary artists in all genres, Como’s versions might get lost in the mix.
But it’s still in there.
That said, as a performer, he may have been misunderstood as well.
Como was considered one of the “good guys” whose relaxed and laid-back demeanor came across as “lazy” to some, a misguided assessment, since Como was known to be a consummate professional who practiced and rehearsed incessantly.
“No performer in our memory rehearses his music with more careful dedication than Como.” a music critic once enthused.
Como also made sure each concert met his own personal and strict moral standards.
In November 1970, Como hosted a concert in Las Vegas, a comeback of sorts for the Christmas crooner, who hadn’t played a Vegas night club for over three decades. For his grand return, Como was paid a whopping $125-thousand a week, admittedly a large sum for a Vegas act at the time. Even Perry was surprised. “It’s more money than my father ever made in a lifetime,” he remarked.
But since it was Vegas and befitting the desert town’s reputation of gambling and prostituition, Como’s reputation as a straight-laced performer was questioned.
Como quelled any concerns, however, when he chose a safe, clean and relatively unknown English comic named Billy Baxter to warm up the audience before the show. Advisers suggested he pick an act more familiar to Vegas audiences, but Como said no.
A typical “Vegas comedian,” as he put it, was simply too dirty.
Keeping up the family friendly atmosphere accentuated in his TV specials, Como would lovingly introduced his wife Roselle during the “live” shows. Roselle, who was usually backstage and acknowledged the appreciative crowds, was just as adamant as her husband that his clean-cut image went untarnished. After one performance, Roselle received a fan’s note that pleased her immensely. “Not one smutty part, not even a hint,” the note read describing Como’s act in Vegas. “You should be very proud.”
Como’s cool temperament and sleepy manner was such a recognizable and enduring characteristic that many had to ask if it was real or just an act. Does he ever get upset? was one curious inquiry. “Perry has a temper,” his orchestra leader Mitchell Ayers answered. “He loses his temper at normal things. When were’ driving, for instance, and somebody cuts him off he really lets the offender have it.” However, Ayers added, “Como is the most charming gentleman I’ve ever met.”
Como’s popular Christmas television specials ran for three decades ending in 1994, seven years before his death from symptoms of Alzheimer’s in 2001. He was 88.
(Source: Spartanburg Herald-Journal Nov 21 1970)
UNREMEMBERED 